Jim B, on Dec 8 2010, 07:26 AM, said:
Care to share some of the settings, I gather you were on tripod The reflection of the water and percentage of the sky still light toward the right is superb.
First shot looks like when the sun was almost down, what about on the one of the Rubikong?
Btw, we can now post 800x600 instead of 640x480.
Glad you like these.
Both photos taken from a Monfrotto tripod, widest leg setting for stability. Camera was Nikon D5000, exposures set manually. Four strobes burst were set off around the subject 6 to 8 feet away at 30 and 50 degree, units were aproximately guide numbe 100. The long exposure took the harshness in the waves out and turns it into something satin like yet maintained a usable relection.
Photo of the Xterra
5 to 10 minutes after sunset - my absoluely favorate time as you can shoot directly into the direction of the sun, without color washout due to contract & exposure trade offs.
Shutter 25 seconds
Aperture f/14.0
Focal Length 20 mm
ISO Speed 200
Photo of Rubikon, JK Wrangler
45 minutes after sunset, the sky has lost most of its color at this point. The dominant light sources are all man made at this point. The big concern on this shot was rendering everything crips as the interest was in the parts (suspension, tires, rims and tube work). This is not the traditional focus for cars which is often the play a light on curves. Another conconcern was strobe glare which needed to be kept off the decals and if possible off the flat panels... yes... there's a vendor interest here.
Shutter 30 seconds
Aperture f/13.0
Focal Length 28 mm
ISO Speed 200